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Thursday, March 8, 2012

Excerpt from upcoming release "Insanity: A Love Story"

In the next month, Fat Daddy's Farm with be releasing an e-book version of "Insanity: A Love Story" --it is a memoir about dealing with the diagnosis of bipolar disorder and the hospitalization after a manic-induced psychosis--below is an excerpt from the book

Want to win a free copy? Check out this free giveaway. 


...from"Insanity: A Love Story" by Melissa Miles McCarter


I was always mercurial, moody and fickle. I came by this naturally, witnessing the mood shifts of members of my family, trying to cope with a world that seemed so intense I wanted to hide sometimes. I was the type of child who cried at my own birthday parties, overwhelmed by the crowd of people singing “Happy Birthday” to me while all I wanted to do was play with my new toys in peace. Every moment seemed larger in importance than anything, and my own mind either raced in high speed or trudged through the lows I felt I could never escape.

Born in 1975, in Houston, Texas, I moved to California when I was eleven years old. Already a severely introverted child, the move shifted me into the first depression I have the clearest memory of. I spent my first summer in the new and extreme brightness of the San Fernando Valley, feeling intense anxiety about the life I had left behind and the life I was about to have. I spent many hours obsessing over what could have been.

My Southern drawl separated me instantly from my new sun-kissed classmates and subjected me to attention anathema to my withdrawn nature. In Houston, I had been bright, but never considered an intellectual. Now, in my new school and my new large lensed glasses, my reputation as the smart one grew in proportion to my deepening sense of inadequacy.

One of the ways my insecurity exhibited itself was my longing for love. I was now an outsider in my new location, an experience I had never felt before in the middle class suburban life I had led in Texas. I might have been moody, but I always felt I belonged. In Houston, we had been comfortable, but now in California, the higher standard of living meant we could only live in a working class neighborhood. Gone were the ever-present room-mothers and well-employed fathers.

Now I felt untethered, not fitting in with anyone, and it set the stage for wanting to find a sense of rooted-ness in the relationships I would have later in life. My sense of self had been challenged, no longer shaped by the innocence of childhood—and I was to seek a foundation in my ability to have deep and intense connections within friendships and romantic interactions.

This desire to merge and find my identity in relationships, plus the fear I would never rid myself of the intense loneliness I felt in this new place, motivated me to later on leave high school a year early in 1996 and attend Scripps College, without a high school diploma and only to get a GED when I was a sophomore. This wasn't the result of some heroic ambition, but the desire to follow my then boyfriend, who was to attend a college in the same Claremont Colleges consortium. Just like any adolescence, I craved freedom, but I also had an ever-present desire to emerge myself in the safety romantic relationships could provide.

Unfortunately, this relationship ended after I had already been accepted by Scripps and had made a commitment to go to college. I could have stayed in high school and made a different, more solid, decision based on my own independent long-term goals. But I was already committed to the fantasy of freedom I saw in the collegiate experience and the possibility I might win my boyfriend back. My co-dependency desires continued, but this was not to be. Instead I was to enter into a grief induced cycle of depression and mania that would continue on for my whole freshman year.

During college was when my mood shifts seemed to be most apparent. Every semester I started out with the manic belief I could do anything and would enroll in five courses, an overload beyond the required four courses that only the most ambitious and confident would attempt. My overconfidence would not be sustained because the darkness would always be a moment away. By the end of each semester, in the depths of a predictable depression, I would have grades that were contradictory at best—one or two courses I would excel in, others I would have barely attended and barely passed, and one class I invariably would fail. These failures were always avoidable—I could have easily dropped these courses, but it would have meant interacting with the professor, seeking their signature, when I felt the most anxiety in my contact with people. I felt so ashamed of not being able to attain the goals I had set during my mania.

Thus, most courses had been peppered with absences, and I never signed up for classes before noon, the result of an increasing insomnia and crashing, numbing sleep I succumbed to at the first light on the morning sun. My freshman year was marked by the first time I ever went to a therapist at the mental health center on campus. Cognitive therapy was supposed to be my answer to everything, a vaccination against my mood shifts I couldn't even put into words. Eventually, I would give up therapy at the same time I fell in love with a senior who seemed to be the anti-thesis of me: stable, confident based on real accomplishments, and who I tried desperately to hide my flaws from. I was deeply in love with him and yet he didn't feel the same way. With each rejection, interspersed with a physical connection I had never felt before, my insecurity was nurtured. I felt like I was nothing if I wasn't in love. Soon after this ended, I met my next boyfriend, who I would be with off and on for the next five years. At first, we were inseparable and this relationship provided me with a way to mask my social anxiety and find a safe emotional haven for my moods. Soon enough, we danced the dance of rejection and intense melding of selves, chipping away at my delicate sense of self-worth.

This relationship precipitated my first manic-induced psychotic ending. We had a series of breakups and makeups before, but when the ending seemed the most definite, I cycled into the most disorienting depression I had ever experienced. Most of my dreams for the future had been tied to this relationship, and with its ending, I had no idea what I wanted to do. My long ago deeply held goals had been abandoned with the sense of purpose this relationship had given me. Without this emotional compass, I was adrift.

An interloping relationship, right before this psychotic break, would fuel an even deeper sense of insecurity. I clung to the fantasy that this new boyfriend would be an antidote to the deep loneliness and purposeless I felt at the time. Our courtship provided a band-aid to my wounded soul, but in the end would leave me broken and empty.

With that crushing disappointment, in a relationship that increasingly my poisoned my sense of self--

I couldn't exist anymore within reality.
Want to win a free copy of "Insanity: A Love Story"? Check out this free giveaway. 

Wednesday, March 7, 2012

Spotlight on Anna Steen and Lottie Cellini-Corley

We are honored to introduce Anna and Lottie, two contributors to our anthology, "Joy, Interrupted."


(And don't forget to enter our giveaway!)

Anna Steen

Anna Steen wrote “Star Bunk” and can be reached at annasteen@me.com This is one of her first pieces of flash fiction (less than five hundred words); she usually writes short stories and is working on her second novel.

Anna describes herself as “a mother, writer, and coffee roaster,” and says, “If I had to pick three things to do with my life, these would be it.  So I consider myself lucky and grateful.”

Anna also has written a story about motherhood titled "Jericho Road," which won Best Emerging Artist on the online journal Our Stories.  The story is about a mother faced with a Good Samaritan decision. Anna addresses various questions, such as:  When do you help someone else?  What if your life is at risk?  What if the lives of your children?  Where is that line in helping someone else whose life is in peril?

Anna says her inspired her work and describes “Star Bunk” as “a snapshot of my nights with him. “ She also says, “I'm glad I wrote it so I can always look back on it and remember how I felt during those years.” According to Anna, her piece has a “cord of motherhood and deals completely with feelings a child growing up can arise in a mother.”

Anna finally shared, “This was the perfect home for the piece. In general pure themes of motherhood are not written about enough but play back themes or side plots in books. That said, favorites would have to include Kingsolver's "Poisonwood Bible", Cleave's "Little Bee," McCann's "Let The Great World Spin," Harris's "5 Quarters of an Orange," and Schwartz's "Drowning Ruth."



Lottie Cellini-Corley

Lottie Cellini-Corley wrote “Sweet Little One” and “Trinkets” and can be reached at mlcorley1@embarqmail.com 

According to Lottie, the first piece is about a person who would like to be a mother but all odds are against her having a child. “The anguish she feels every moment of her life. She asks why?? Did she do something wrong and that is why she is not blessed with a child?”

Lottie describes “Trinkets” as, “Three sisters brought together to go through their mothers trinkets after her passing away. The times they cannot spend with her. No mother's day. The pain of losing someone who after all the years collected these items out of love for them.”

In addition to Lottie's “becoming a soon to be author, I became an illustrator with my pen and ink work.” In addition to spending much time working on her memoirs, poetry and songs, she likes to play golf, dabble in the parapsychology and is a huge Beatles fan.

Lottie also has a book coming out soon called "Trials and Turbulence"  She has also been a published illustrator with "Prick of the Spindle" and various other publishers.

She credits her mother as her inspiration for her contributions to our anthology: “My mother was right behind me, giving me subtle loving pokes to go after what made me happy.” Her work was also inspired by “my own anguish with my infertility.”

Lottie feels like "Fat Daddy's Farm" would be the perfect platform to reach out to others and all who have had similar experiences.

Lottie also shares that her favorite movie is Titanic and loves to read Steven King and Edgar Alan Poe.


Friday, March 2, 2012

Greetings from Chicago

Greetings from the AWP in Chicago-- for those who don't know, we are at the Association of Writers & Writing programs conference.

When we get back, I will convey all the lessons and advice I think you all might be interested in.

Here are some highlights so far:

Getting to see Nikki Giovani (poet @ Virginia Tech) read some of her poetry

Being in the audience for Margaret Atwood's keynote address at the wonderful auditorium at Roosevelt University (Atwood is one of my favorite authors--you might have heard her "Handmaid's Tale" novel). She was so charming and has a huge twitter following @margaretatwood

Getting to see Kate Hopper and others at a presentation on mothering and the writing process; Kate has expressed interest in reviewing our anthology (her website is http://motherhoodandwords.com) and is open to being interviewed on our blog.

Meeting one of our anthology contributors, Elynne Chaplik-Aleskow, and her husband, Richard, for a wonderful dinner at The Park Grill; look forward to her future interview on our blog and you can also see what a talented and interesting person and writer Elynne is. In addition, she gave great advice about marketing and promoting our book-- we are very grateful to her recent efforts to get a large number of "likes" on our facebook page. Btw, if you haven't already, come check out our page--and like and/or share it--at http://Facebook.com/fatdaddysfarm.org

If you haven't already, scroll down and check out the first contributor interviews of Nina and Ann and keep an eye out for more.

Please join us in getting the buzz going for our upcoming anthology and other efforts by following us via twitter @fatdaddysfarm -it is a great way to find out about our projects, giveaways and other info!

Take care,
Melissa

Wednesday, February 29, 2012

"Joy, Interrupted"-- Spotlight on contributors Nina Bennett and Ann Mathew

In this and future blog posts, we will be featuring some of the contributors to our upcoming anthology, "Joy, Interrupted: An Anthology on Motherhood and Loss."
(Don't forget to enter our free giveaway!)

Introducing Contributors: Nina Bennett and Ann Mathew

Nina Bennett
Nina can be reached at ninabde@aol.com and you can check out www.transcanalwriters.com for more information. The two poems she has contributed to the anthology are "Symphony in E Minor" and "Sound Effects."  Below is the content of an interview we conducted with Nina:

What are your poems about, who are you, and why did you contribute?
My poems are about about my granddaughter's still birth.  I am a social activist who gives voice, through my writing, to those who have no voice. I am bereaved grandmother.  I am also a band chick-my favorite music is classic (60s and 70s) rock.

Where else have you been published?
My poetry has been published in numerous journals, both print and online. My essays on grief have been published in Grief Digest, MISSing Angels newsletter of the MISS Foundation, and on the website of Open to Hope. My essay "She Was Significant," is a chapter in They Were Still Born.

What inspired your writing?
Following a full term, healthy pregnancy and labor, my grand daughter was unexpectedly born still. I react to trauma and crisis by writing [and a] desire to honor the memory of my granddaughter by increasing awareness of grief resulting from perinatal loss.

Nina also said, "The books relating to motherhood I appreciate and devour are ones that deal with perinatal loss. Thank you for re-opening your wounded heart to make this anthology possible."

--
Ann Mathew

Ann's email address is thara15nd@yahoo.co.uk  and her contribution to this anthology is Smoothening the Crumples: Poetry Dancing on Paper through “Kumina” by Edward Kamau Braithwaite

What is your piece about?
The work talks of intense grief and how art participates in being a comforter in the time of the loss of a child. It takes into view Edward Braithwaite's poem Kumina. This dance form is explored in the poem to see how a mother wails and silences herself in the grief of the passing away of her child.

Who are you and what are you interested in?
I am a research scholar from Madras Christian College, Chennai. I am interested in interdisciplinary approaches to topics and my main focus is Diaspora, Music, African American Studies, Superheroes, Movies and many other related topics. My topics of interests always included an understanding of a woman and of the welfare of children.

What inspired you to contribute to this anthology?
When I saw the title of the anthology to be published, I knew right away that I could be a part of this process of comfort and healing, and that I can contribute to it. Undeniably, grief. The need to share it with those who are suffering and lighten their burden.

I have kept two people in mind while writing this piece, my best friend's niece Minnu and my close friend Sajini Daniel. They made this piece come to life.

What other representations of motherhood and loss do you appreciate?
This is a list of a few Malayalam movies: Makalkku,Deshadanam, Pookaalam Varavaayi, Maalootty.   Some Malayalam works include Basheer's "Amma",the poem by Edasseri's poem "Poothapattu."   Also the music of Idan Raichel, an Israeli singer-songwriter, in his songs Min Nhar Li Mshiti, Maisha  and several others

We are honored to have Nina and Ann share their work with us! Stay tuned for more interviews in future blog posts!

Monday, February 27, 2012

Promotional Ideas

Promoting your work online is a great way to find an audience for your work. Most of the below suggestions are geared to promoting the work in our upcoming anthology on motherhood and loss, but many of the ideas also work for all types of publications and artwork.

Promotional Ideas
  • Are there any blogs you follow or like to read? If so, you can send the blogger a request, either to guest blog, interview, or announce your work on the blog. Not sure where to find relevant blogs to our anthology or other work related to motherhood and loss? Here is a great directory of blogs related to this subject.  Or you can check out this blog directory for other subjects related to your work.
  • Are there any message boards you frequent?  If so, you can use it to announce where others can find information about your work.  Not sure what message boards to post to?  Here is a great list related to grief and bereavement that includes forums and message boards.Or check out this directory of message boards.
  • Social media is an important way to promote your work.  You can put information on your blog, twitter account or facebook page.  Or, you can also checkout Tumblr, Google Plus, Pinterest, or other types of social media.
  • Contact reviewers who might be interested in your work.  Don't worry about trying to get our anthology reviewed-that's our job.  You can try this site or this one to find some reviewers who might be interested in a book you might have written and want reviews for.  If you do request a review, make sure you follow the reviewers' guidelines.
  • You contact writers at examiner.com (they are called "examiners") who might be interested in promoting or writing about your work.   You can check out this list of writing examiners or book examiners in your local area or nationally.  Or, you can contact an examiner who might be interested in your particular topic by looking at this list.  
  • A great way to get the word out is to send an email to your friends about your work.  You can announce your upcoming or future project.  If you want to keep your friends updated about a project, you can even create a mailing list (just make sure you get permission before you add anyone to a list yourself) for people to subscribe to.  Check out this guide for creating buzz about your work through an email announcement. 
  • Find conferences to go to and promote your work.  Either create/participate in a panel related to your subject, have a reading of your work at a conference, or just network with people casually. For example, Fat Daddy's Farm will be represented at the AWP conference in Chicago. Here is a list of writing-related conferences and here is a general directory of conferences and conventions.  You can also check out this list of various academic conferences or this list of conferences related to the humanities and social sciences.
  • Another option is to set up a book signing or reading at a local bookstore.  If you want to do this for our anthology, let me know so I can get you books at cost.  If promoting your work this way sounds interesting to you, you might check out this guide or check out these suggestions. 
  • You can also set up a reading or book signing at your local library.  Or, you can give a copy of your work to the library so they can can loan it out to people.
This is not an exhaustive list of how to promote your work, but it is a great way to get started.  Do you have your own ideas or suggestions?  Feel free to share in a comment to this blog entry!

Wednesday, February 22, 2012

Pre-Order your copy of "Insanity: A Love Story"

Information about how to pre-order an expanded and revised e-book edition of "Insanity: A Love Story" for only five dollars is available here.

Or if you want to win a free e-book copy, check out our giveaway!

Wednesday, February 15, 2012

Giveaway of "Insanity: A Love Story"


a Rafflecopter giveaway




An intimate journey into the bipolar mind of one woman struggling to cope with the symptoms of madness and the elation of mania. It chronicles the resulting hospitalization that led to a diagnosis that challenged the distinction between sanity and insanity.
Insanity: A Love Story

A Memoir of Madness and Mania
by Melissa Miles
March 25