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Thursday, May 8, 2014

The small press publishing model: Lessons from Joy, Interrupted

Almost this same time a year ago, the book I "birthed," Joy, Interrupted: An Anthology on Motherhood and Loss, was published..

I had great joy over the release of the book. It allowed me to connect with over fifty wonderful people on a similar "grief path" and get much needed support to help me move towards acceptance.

Publishing Joy, Interrupted: An Anthology on Motherhood and Loss was a turning point both personally and in developing my small press, Fat Daddy's Farm.

Thinking back to the push to get the book out and efforts to market it, I have been taking stock of some of the lessons I gleaned from that experience.


The most practical lesson I learned is:

The publishing model of big presses and self-publishing doesn't work for small presses.

Why?

The publishing model for big presses relies on two things a fledgling small press doesn't have much of::
Money & Access 

The publishing model for those self-publishing relies on:
Time & Access

Time and money are pretty self-evident, but what do I mean by access? Access is the ability to get press exposure, get your book in a bookstore, get cheap printing, etc.


Money and Access: 
You know how there are so many reviews for books of larger presses, whether Amazon customer reviews, from bloggers or in publications? There are actually networks of reviewers that publishers pay a fee to get access to. They also print Advanced Review Copies to send to a large number of reviewers on Goodreads and/or to do giveaways. They have a network of print reviewers that they rely on, some of which they also pay to have access to and/or invest in a publicist who nurtures and develops those contacts.

Time and Access:
In the self-publishing world, the advice is for writers to contact reviewers individually and/or swap reviews. So you might not see lots of reviews for an individual book, but they are often heartfelt and positive. Writers contact press, especially local press, directly to get reviews. They rely on their established network of people, many of which will include other writers who are friends, to get reviews. All of this takes a lot of time.

For a small press who has multiple books and authors, you are going to be pretty spread thin trying to contact reviewers with the same passion and diligence as someone self-publishing.  That one book you want to promote? It is one of many children you have to attend to.



And, using the parenting analogy, a small press simply doesn't have the number of nannies a big press has and can't be a stay at home parent like the self-publisher can.

Effective marketing for a large publishing company and an individual self-publishing might be cost-ineffective vanity for the small press.

Instead, what I learned from publishing Joy, Interrupted: An Anthology on Motherhood and Loss, is that I had to create my own publishing model.



Joy, Interrupted: An Anthology on Motherhood and Loss is on sale right now on Amazon and I have some copies people can buy directly from me.  If you are in the UK, the book will be free this weekend on Amazon.

Monday, April 1, 2013

Joy, Interrupted Press Release


For Immediate Release
Melissa Miles McCarter
Fat Daddy's Farm
fdfarmpress@gmail.com
fatdaddysfarm.org

Joy interrupted in new anthology on motherhood and loss

Ironton, MO - May, 1 2013 - Most people think motherhood is a joyous experience, but for some it can be an experience of interrupted joy. Joy, Interrupted is an anthology that delves into the subject of motherhood and loss from different perspectives of authors and artists from all over the world.

Joy, Interrupted: An Anthology on Motherhood and Loss is edited by Melissa Miles McCarter, and is published by Fat Daddy's Farm Press.  The paperback edition will be available on Amazon.com in May for $25.99. Pre-ordering is available until May 1.

McCarter conceived of the anthology six years after her daughter died of SIDS and then struggling with secondary infertility after an ectopic pregnancy. "I struggled to make sense of her death and cope with the pain of losing her by reading and writing about other mother's who have had experiences of loss."

After putting out a call for submissions, McCarter was amazed to see how many women and men from all over the world expressed the topic of motherhood and loss from perspectives she had never considered before. She discovered that losses in mothering are so much more than just what happens when a child dies.

Mothers and their children face loss in all forms: adoption, children growing up, estrangement, illness, disability and death. There are very few anthologies covering these different forms of loss. So editor and publisher Melissa Miles McCarter decided that it was important to create a safe place for artists and authors to explore the topic of motherhood and loss.

According to McCarter,"Editing the book allowed me to get outside myself through the creative works of others when I might otherwise have been shut down by grief."

McCarter has many hopes for how the book can affect readers: "I hope the book lets others know that their pain matters, their loss matters, and they are not alone. I also hope that it can give hope and encourage people that the risk of loving, of mothering, is worth the inevitable losses and pain that occur because of the joy that love brings."

Joy Interrupted is a creative anthology that helps explores how we can move through pain to the other side of joy. Those who have suffered loss in association with motherhood can realize they are not alone. It suggests that even after paralyzing grief, we can keep on creating, living, and to begin experiencing moments of joy again.

Fat Daddy's Farm is a small press and music company located in Southeast Missouri.
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Sunday, March 31, 2013

Review of Joy, Interrupted

Review of Joy, Interrupted by Sharon Fulham, author and educator


Joy Interrupted is a creative anthology that helps grieving mothers move through pain to the other side of joy. Mothers who have suffered excruciating loss  can realize they are not alone.  This book carries a  voice of hope with words of comfort which come through the stories of its contributors.  It becomes  a safe harbor for mothers to retreat  to express grief, to rest the mind, and to read about creative ways to work through grieving.  It suggests that even after paralyzing grief,  mothers can keep on creating, living, and to begin experiencing moments of joy again.

Jenn Williamson's poem, "The First Dream," in Joy, Interrupted is beautifully written. It describes a dream about her mother six months after her death. It is wonderfully descriptive, picturesque, comforting, and awakens longing... “The First Dream” easily wraps itself around those who have lost their mother in death. Readers will hold it close to their heart. I love this poem!

Margaret Kramar's "Dining Hall" is a story in Joy, Interrupted about a mother’s struggle and reluctance to ‘let go’ of her son when she left him at college that first day. Mothers in this scenario can relate to her anguish and deep feelings of loss. It was in the ‘dining hall’ that she realized this would be their last meal together for a long time.  “I wanted to be his mother,  to feel the bond between us, to caress him with affection that falls down like soft leaves...“  Her son glared at her over his shoulder... his steel grey eyes allowing no admittance.   Mothers everywhere will understand why she sobbed all the way back to Des Moines... and they will marvel at how she came to terms with ‘letting go’. 

I am still mesmerized by Elynne Chaplik-Aleskow’s  story,  “RG" in Joy, Interrupted.  If Elynne had birthed a son...  he would have been named RG.  He would have become someone who would lessen this world’s despair ...  At the age of  forty-two she married her best friend, Richard.  As a married couple they pursued their own dreams and those dreams they built together.  As a professor, she invested  her heart and time in teaching a Communications course “LIFE 101” which she loved!  She taught her students self-esteem and how to reach their potential.  I got a lump in my throat when she wrote about her prize-winning garden of students... with which many of whom she stays in touch. Elynne Chaplik-Aleskow has an undeniably warm,  nurturing mother’s heart. You must read her story to learn more about RG and the unforgettable ending.  
Pre-order now: http://amzn.to/10kAion

Wednesday, March 27, 2013

Joy, Interrupted Book Tour: Scheduling Now


I am currently scheduling dates for a book tour to promote Joy, Interrupted.  My currently planned schedule includes:

Columbia College, Chicago, IL May 23-26, 2013
University of Kansas, Lawrence, KS June 9, 2013
Stanford University, Stanford, CA Sept 25-28,
Renaissance St. Louis Hotel, St. Louis, MOOctober 11-13
Other dates and places TBA

I will be available at these dates and places for book readings, book signings, book sales, interviews and other events.  If you would like to plan an event for me to attend with you in an area I am to be scheduled to be in, please let me know.  We can also work on arrangements to bring me to your area for such events.

I am also scheduling a blog tour and interviews with various media outlets.  If you have a blog or know of a blog that would be interested in my writing a guest blog, please let me know.  If you have media outlet contacts or know anyone who would like to interview me about the book, please let me know.

If you have anything scheduled or will schedule anything to promote the book, please let me know so I can link to it and/or announce on the blog, facebook and twitter.

Best wishes,
Melissa

Thursday, March 21, 2013

You can now pre-order the paperback copy of Joy, Interrupted for $25.99 on Amazon to be released May 1, 2013
(The picture of the cover will be up on Amazon in a couple of days, but I was excited to announce the news)


Ordering other versions (hardback, ebook) will be announced soon...(working on it!)  People promised free ebook copies will receive them before paperback comes out.

http://www.amazon.com/gp/product/ASIN/0985235608

Friday, November 30, 2012

Announcement for Joy, Interrupted: New Timeline

I have finished the first proof for "Joy, Interrupted."  Right now, the wonderful Ann Mathew is proofreading this proof.

Around December 15, I should have it back and will send it around to all the contributors.  Contributors will need to send me back the proof with any edits or changes they need me to make by January 10. 

I should turn around and send out the second proof out pretty quick, giving everyone one last opportunity to finalize the manuscript.  After that point, we will have to play it by ear, trying to tie up loose editing ends and working on the nuts of bolts of getting it published.  But, I anticipate getting this book out around early Spring.

On a personal note, many of you already know I passed my dissertation defense this week.  I really appreciate that many people sent me notes of encouragement and congratulations.

Cheers,
Melissa Miles McCarter
Editor, Joy, Interrupted: An Anthology on Motherhood and Loss
Publisher, Fat Daddy's Farm

Friday, November 23, 2012

Updates --looking forward to Nov. 30--marketing plan for Joy,Interrupted

As many of you know, I am defending my dissertation this Tuesday. On Nov. 30 I will be releasing a new timeline for publishing Joy, Interrupted, with deadlines for contributors, proofreaders, and myself.

I will also be asking help in promoting the book. Right now I am learning how to develop a marketing plan by promoting my book, Insanity: A Love Story.

What I am doing now to promote this project will help us build an audience for our anthology.

Here are some of the things I am doing now and plan on doing for our project on the anthology:

Getting Likes for Fat Daddy's Farm facebook page at http://facebook.com/fatdaddysfarm.org

Getting followers on twitter @fatdaddysfarm

Promoting and fixing up the website at fatdaddysfarm.org

Getting reviews and ratings, on Goodreads, Amazon and blogs, posting them to facebook, tweeting them

Guest hosting on blogs

Exchanging reviews with other authors

Doing Author Q&As on blogs

Promoting our books in posts, tweets and getting others to share these posts and retweet

Posting excerpts on facebook, twitter

Doing a free book promotion (btw, my book, Insanity: A Love Story,  is free to download today on Black Friday, as a special thank you)

Promoting books on various sites

There are more things in the works.

If you know of anything else I should be doing, please let me know. Some of these things you can do now, if you do want to help with the promotion of the project, other books we publish, and the press itself--they are all interconnected, so more exposure for one is good for all.

 As time goes by, I will explain more about the marketing plan.

Happy Thanksgiving weekend,
I am grateful to have all the contributors to Joy, Interrupted



Saturday, November 17, 2012

Preview: My contribution to Joy, Interrupted

I am also contributing a piece to Joy, Interrupted, and thought I would share it will everyone while I am in the process of editing the anthology.




Blow by Blow
by Melissa Miles McCarter

Maddy was born on September 1, 2003 and died on October 6, 2003.  Her death certificate says CAUSE OF DEATH: SIDS.  Sudden Infant Death Syndrome--also known as crib death.
My pregnancy had been one worry after another. However, it never even occurred to my husband and I that we might lose Maddy to SIDS. After her death, we tried to find some cause for her death other than the official cause of death, which seemed almost to be a non-diagnosis.  I had been taking lithium for years for bipolar disorder; Maddy was exposed to the drug the first two months I was pregnant because my HCG levels were too low to show even in a blood test that I was pregnant.  I later learned that the low levels signalled that the pregnancy wasn’t viable, but Maddy hang on, burrowing her way into my body and heart.  We were unaware of the series of blows that were about to come.
Once I knew I was pregnant, I discontinued lithium because there was a risk it would cause congenital heart defects.  On advice of my psychiatrist, I stayed on the antidepressant Celexa throughout my pregnancy, which I would later find out carries a similar risk to lithium.  I also went onto the anti-seizure medication neurontin because it had a low risk profile in order to control my moods.  We were so careful, trying to make the best decision for my mental health and Maddy’s well-being, but once she died we second guessed every decision.  
The first blow came at 16 weeks into my pregnancy.  The doctor told us that according to the ultrasound, Maddy might have Down Syndrome.  We had already decided that if we were to find out that she did have Down Syndrome, we would abort.  We wanted a healthy baby or no baby at all.  The window to abort was about to close; right before the 6 months “deadline,” we found out from a specialist that the original ultrasound did not indicate Down Syndrome. It either was an error in measurement or interpretation.  I thought back to the fact that a blood test failed to detect my pregnancy, and now an ultrasound had detected a phantom abnormality; I didn’t know that these medical irregularities would haunt my pregnancy and Maddy’s birth.  
The next blow was around the corner.  At the same time we knew for sure that we wanted carry the baby to term, I began to have frequent contractions.  They put me on brethine to stop premature labor, and put me on a steroid to help develop Maddy’s lungs if the drug couldn’t prevent my going into labor.  I was also told that I had to be put on bed rest for two months. The brethine made me feel like I was on speed and the steroid made me angry and irritable.  So much for trying to control my moods--the medicines I was taking to keep Maddy inside in me and/or healthy if she was born caused me to have symptoms that mimicked bipolar disorder.  I spent the last couple of months of my pregnancy in bed, wanting to run around the house at high speeds and snapping at my husband.
The next blow came at the next ultrasound, about three weeks before my due date. We discovered that Maddy was in the breech position. We were so beaten down at this point, having dealt with blow after blow in the course of this pregnancy.  My OB/GYN told me we could try to “turn” the baby by their manually manipulating Maddy’s position in the doctor’s office.  We breathed a sigh of relief for a moment but then we had another blow.
I thought I was leaking amniotic fluid and went to the emergency room. The nurse monitored me for a few hours and dismissed my fears.  During this same time, my sister’s ex-boyfriend committed suicide and she asked us to come with her to pay her respects to his family because they lived about a couple of hours away from us.  We got the okay from the hospital to travel.  We figured, outside of the family obligation, it would be one last time to have some sort of vacation before Maddy’s arrival.  After blow after blow, we thought it might rejuvenate us.
We left Tyler, Texas and continued on for a weekend trip to Louisiana.  My husband had it in his mine that he wanted to see Kate Chopin’s home in Natchitoches.  Being nerdy English doctoral students, this seemed the best way to have one last hurrah.  Our two year old, my husband’s son, my step-son, came with us on this final family trip where it was to be just the three of us.  We stopped in Shreveport, and went to a casino to have a breakfast buffet.   I was at the end of my 37 weeks, and we planned to return home a few days later to have Maddy turned, or, if this failed, to have a C-Section.  We never get to see where Kate Chopin’s home.
My water broke. I had to have an emergency C-section in Shreveport, four hours away from home.  We were in a small Catholic hospital, where we weren’t even sure our limited graduate school issued health insurance would cover.  My husband stayed with my step-son and I was rushed to the operating room, all by myself.  But, we thought that now that the pregnancy was at a definite end, the blows would be over.  It would all be over, and I was looking forward to holding my daughter in my arms.
. Blow. Maddy was born, but she wasn’t breathing.  I kept asking, is she okay?  But no one would tell me what was going on.  Later, I would find out that they thought she was having a seizure.  She was rushed into the NICU and I was brought to my room to recover from the C-section.  I wouldn’t get to see Maddy until the next day.  I lay in bed in agony, feeling my uterus shrink to near its original size, wishing I could hold my daughter in my arms.
My dad took a picture of her with his cellphone, and after he showed me it, it motivated me to get up and walk around a few hours after the surgery.  I had to be able to get into a wheelchair before they would take me down to the NICU.  Luckily, Maddy was stable, not having had another seizure.  They decided to keep her in the NICU for about a week for observation while they put her on antibiotics because my culture tested positive for strep.  Every three hours I went down to try to breastfeed her, but she had trouble latching on and I wasn’t producing enough milk.  They supplemented with formula and I pumped in between seeing her.  Even my breasts were failing us..
Three days after my surgery, I was officially released, but they let us stay in our hospital room until Maddy was released.  The night before we were to take Maddy home, we got to “co-room” with her.  Matt held her in a swaddled pink blanket and watched a football game.  I held her in my arms under a LSU blanket my husband had bought me after wandering around Shreveport while I was recovering from surgery.  We tried to breathe easy, walking out of the hospital with her after she passed the “car-seat” test, in which we proved we could safely strap her in.  We were on our way back home.
While we thought the blows were over, that everything had been so worth it despite all our difficulties, I still had lurking concerns.  She was born at 5 pounds 5 ounces, a bit earlier than we wanted.  I hadn’t gained any weight in my pregnancy and soon was twenty pounds lighter than my weight before I got pregnant. But the worries started to wane when we went to her first pediatrician’s visit and she was almost 7 pounds.  I was starting to gain weight.  My milk was starting to flow easier.  Maddy hardly gave us any trouble, sleeping on schedule and very rarely crying.  The blows were done.  Or so we thought.
The morning Maddy died, I was beside her in bed, fallen asleep next to her after we finished breast feeding.  This would soon haunt me for years.  When I first looked at her, she looked like she was sleeping, content with a small puckered smile on her face, swaddled in her pink blanket. I reached towards her, about to change her diaper after our long nap, and I realized she wasn’t breathing.
I called 911 and was told to put her on a flat surface.  We were taught baby CPR at the hospital, but I couldn’t remember anything.  I tried to suppress my panic and listened to the instructions.  But her mouth was full of mucus; I couldn’t get her to breathe. After one puff, blood, like a small nosebleed, came out of her nose.
The doctors could never get her to come back to life, and in my heart I knew she was dead, even as I saw them working on her and hoped I was wrong. The doctors took forever before they confirmed this fear, which they did when my husband was on the way to the hospital. I was the last one to see her alive. After being interviewed separately by the police, a week of funeral services, and my husband taking a week off work, we were left with trying to deal with life, day by day. The blows had stopped, but we were broken in the wake of Maddy’s death.  
I was afraid the horrible pain, feeling like I had a broken heart, would never end.  For a while, I was a defective robot, unable to do the simplest tasks. I felt old before my time, unable to look forward to the next stage in life.
We thought the blows had stopped, but they still come, like aftershocks from Maddy’s death.  Sometimes I feel guilty because I know that if Maddy had lived, my husband and I wouldn’t have as much free time together. I feel bad when I think about how old Maddy would be now and the milestones we might be enjoying. I love spending time with my stepson, but his company often reminds me of the joy we felt when Maddy was alive.
Blow. I run into a former student of mine from when I was a graduate teaching student at the university.  She had last seen me pregnant and asks, "How is your baby?" I took a moment, tried to breath, then said, "She died of SIDS." I didn’t know how else to answer, and the conversation ended abruptly.  This would only be the first of many times since.  
Blow. I walk on campus and see all the innocent, carefree students starting the new semester, and it seems their only worry is what class to take. I feel like I have a visible gaping wound.  I have become “a mother whose child has died.” There’s no other way to describe me.
Blow.  I can’t let go of the day Maddy died, the last day I saw her.  It is frozen in my mind, for me to go over and over, and it clouds my memories of her.  I stare at the few photos we have of Maddy.  I try to remember every moment I had with her.  I can’t get the image of her dead, lying beside me--and then my trying to revive her--out of my mind.
Blow. I have physical reminders of Maddy's gestation, and eventual birth, that I cannot avoid.
One is the scar on my belly from the C-section.  This scar fascinated my stepson, who would often raise up my shirt so he could gently touch the purplish line.  He asks, "Who did this, Mommyhead?"  I answered, "The doctor."  He seems very sad.  "The doctor not supposed to do that.  He hurt you.  I think to myself, "You're right--this shouldn’t have happened."
Blow.  My step-son doesn’t understand where Maddy is.  To him, she’s just gone.  Sometimes, he asks my husband where Maddy is.  It pains me to see my husband have to remind his son that his daughter, my step-son’s sister is dead.   Britin doesn’t ask me, instead saying to me, haltingly, "Maddy is in heaven."
Blow.  There’s a period of time when I can’t reminisce about Maddy with my husband.
Any mention of her name seems to pain him.  To my step-son, he only remembers seeing her in the few photos we have of her.  He doesn’t understand why I am sad, pointing to the picture, seeming to say, "Don't worry, Mommyhead, Maddy is right here."
Blow.  Everyone who is close to me waits for me to fall apart.  I am eerily calm, numb, functional, but an automaton.  I only cry alone.  I deadened myself, because life would not stop after Maddy died.  Sometimes I wonder--if I had let myself break down, beyond a little at a time, would I feel less empty, resigned?  
Blow. Sometimes, when I wake up the next day, I hope that my life will be a different story.
I never before had wanted to have a different past, to wish that life had been otherwise. I used to think, "Things might have been bad, but it was worth it to be at this point in my life."  But the narrative of my life has been interrupted by Maddy's death.  I have to accept that tragedies cannot be unwoven from my life.  I have to accept that the blows never stop, just slowing down, fading into the background, like a heartbeat I wish I could hear again.   

Why I wrote Insanity: A Love Story


About Insanity: a love story--

My goal was to share what being mentally ill is like, because it is natural to wonder. I recognize what a scary idea it is to lose control of your mind and have to be in a mental hospital, even briefly. But the only way to de-stigmatize mental illness is to bring it into the light.

In my relationships with other patients, I developed a sense of belonging and understanding that put me on the path to sanity. I write about how, even after my moods stabilized, I didn't know how to relate to others and I didn't know who I was anymore. It was like learning to walk again after years of being in a body cast. I had to learn to be patient with myself. Everything involved baby steps, learning to live all over again without the boundaries of my moods.

One of the lessons I learned while in the hospital was how to forgive. A simmering undercurrent of shame and anger was intrinsically linked to my foray into insanity. Getting past shame meant forgiving myself; dealing with anger meant forgiving others.

After my hospitalization, I started to accept the upside of bipolar disorder—how, with my mood shifts, came a sensitivity and creativity I might not have otherwise had. It has made me more compassionate. These experiences also left me unafraid of mental illness, taking away the fear I might one day go crazy. With acceptance comes relief, which allows me the possibility of forgiveness.

My author page is at http://amazon.com/author/melissa and you can download the book from there. If you have amazon prime, it is free; you can get the book free on Thanksgiving day and other promotional days in the future. If you do download it for free, I would appreciate an Amazon review (even if it is just a "like"). The only way we can take te shame out of disabilities is to share our experiences.

Sunday, November 4, 2012

Reflections on editing Joy, Interrupted

Just an upfront note--I still have the self-imposed deadline of announcing a launch note of Nov. 30.  One thing I have discovered about myself in the course of writing a dissertation is that I need the structure of self-imposed deadlines.  Additionally, I realize that contributors are anxious to know when the anthology will be published.  It puts some added pressure on me; but in a way it is a good thing, because it means that people are eager to see the anthology in its entirety and, perhaps, start promoting it.

In the meanwhile, I wanted to share some of the reflections I have had in editing the anthology.

There have been personal reasons the launch has been delayed.  As some people may already know, I have been dealing with health issues, in particular related to fertility.  Anyone who has had similar issues may understand what an emotional toll this takes on a person.  Additionally, I am defending my dissertation in a few weeks.  I don't know if anybody who hasn't written one really knows what a disciplined and harrowing endeavor  it is.  The fertility issues delayed my work on the dissertation, and, since my dissertation's defense was pretty much set in stone, I had to make it a priority over editing the anthology.

To complicate matters, many of you know that I have a chronic mental illness.  It is managed quite carefully by medication, but also with certain types of self-care.  Stress is one of the largest triggers for any episode, and, obviously, I have had a lot of that in the last few months!  Luckily, I haven't had any major flare up of symptoms, but mainly because I have been pacing myself very diligently.

Some people have grumbled about the delay of the launch, and one person actually withdrew their contribution.  I think my silence about my personal reasons for the delay may have contributed to some people's misgivings about the project coming to fruition.  Many other people have been quite compassionate about the delay, which I am extremely grateful for.

I haven't opened up much about the personal reasons about the launch because I felt discussing them might be a distraction and because I just wasn't ready to talk about my difficulties.  I am still not wanting to share much about the details of these stresses, but I am opening up a bit because I want everyone to realize that I have not lost my passion or commitment to this project.

Another more pertinent reason for the delay of the launch is that editing this anthology is very difficult psychologically, much more so than I anticipated.  It is slow going--I can only focus on one or two pieces of week, and I have over sixty contributors, many with multiple works.  I believe that the psychological difficulty speaks to the quality of the contributions.  They are moving in ways that I don't think I have had the opportunity to witness in many other books.

Additionally, I feel a deep sense of responsibility in doing justice to these contributions.  They each are like delicate jewels I am trying to protect.  This also speaks to the potential quality of the anthology.

So, in this next stretch of finishing the editing process, I will be reaching out for some help in order to get this project launched.  Some of you I will be contacting privately in the next couple of months to followup on particular offers to help.  More generally, I ask that if any contributor wants to help, give me or month or so, and then I will be open to hearing ideas.  Additionally, I will need some help with fundraising efforts.  Right now we are being fueled by the little amount of used books we sell and the royalties of previous works.  In the long run, we will need much more...if people want to make suggestions on our facebook page, this would be a great way to help me!

Best,
Melissa
Editor, Joy, Interrupted

Wednesday, October 31, 2012

Buy Books at our Online Used Bookstore


Did you know that Fat Daddy's Farm sells used books online?  It helps fund our publishing efforts.

Our Alibris Bookstore
We sell a lot of collectible books at our Alibris bookstore.  We also sell a number of fiction and nonfiction books, including fiction by and about women, rhetoric and philosophy books, books about feminism and postfeminism and much, much more.  There are coupons available, too.

Our Amazon Storefront
We sell a lot non-fiction books, including textbooks, books about rednecks, history books. If you buy over $25 dollars of merchandise at Amazon, you get free shipping.

If you buy a book on Alibris that isn't in our inventory after visiting our online bookstore at Alibris or Amazon, we receive a percentage of the sale. :-)

Also, we have  promotions for  the books we publish every once in a while.  Right now you can get the Kindle version of "Insanity: A Love Story" for free until Oct. 31.


Sunday, October 21, 2012

I will be announcing a new timeline, with a new launch date, on Nov. 30, for Joy, Interrupted.  If anyone would like their piece released in the meantime because they aren't comfortable waiting for this project to come to fruition at a later date than anticipated, please let me know.

Tuesday, June 12, 2012

Press Release

Feel free to distribute or modify for your own use:

Upcoming Anthology "Joy, Interrupted" Explores Themes of Motherhood and Loss

 Ironton, MO---Melissa Miles McCarter is editing an upcoming anthology about motherhood and loss titled, "Joy, Interrupted," to be published by Fat Daddy's Farm in the Fall of 2012. After her own loss of an infant daughter in 2003, she couldn't find many books having to do with the topic of motherhood and loss.

According to McCarter, "Most people think about motherhood as a joyous experience, but for some it can be experience of interrupted joy." As the author of a memoir, "Insanity: A Love Story," about her own experiences with mental illness, she was no stranger to tackling difficult subjects. However, more than just wanting to share her own experiences, she wanted to find writing and art that could explore the subject more universally.

This new anthology delves into the subject from perspectives of sixty authors and artists from all over the world. Lottie Cellini-Corley says she decided to submit her work to the anthology because she was convinced the book would be, "the perfect platform to reach out to others and all who have similar experiences." Other writers who contribute to this upcoming collaboration echo similar sentiments, saying they were inspired by their own personal losses as mothers, such as Gabriella Burman who says, "I want to keep my daughter alive," through her writing. Sixty contributors from such countries as Turkey, Canada, Vietnam and England, in addition to a significant number of American writers and artists all explore the common themes of loss in the context of motherhood. They write about the universal experiences of loss, such as through death, adoption, or never even being able to have children.

McCarter says, "More than anything, I hope through the book both the contributors and readers find a sense of community of people who share their own feelings and experiences. "

Additional information available at: 
http://fatdaddysfarm.org

Contact: 
info@fatdaddysfarm.org

Thursday, May 17, 2012

Exciting news from contributors to "Joy, Interrupted"

We are proud to share some various announcements from some of our contributors to our upcoming anthology. 


  • Mark Moore's painting, "Mother's Bond," which is featured in our upcoming anthology, has won and International Art Contest in Amsterdam, UK.  It will be going on Electric Taxi Cabs throughout the Netherlands.
  • Pushcart Award Nominee, Elynne Chaplik-Aleskow, has been busy performing her work throughout the country, such as recently at the Acorn Theater in Three Oaks, Michigan. For more information about upcoming performances, be sure to check her out on facebook
  • Sheila Hageman was interviewed on NBC CT News about her memoir, Stripping Down,  April 11, 2012
  • Recently, our contributor Gabriella Burman's Big Tent Jobs, LLC, which is the leading recruiting firm in the United States for degreed professionals with hidden and visible disabilities and chronic conditions, offered free resume reviews to those celebrating National Stuttering Awareness Week.
Check back for more announcements as we learn about them!












Tuesday, May 1, 2012

Spotlight on Monika Pant and Anindita Chatterjee

We are proud to introduce Monika Pant and Anindita Chatterjee, two contributors to our upcoming anthology on motherhood and loss, "Joy, Interrupted."

Monika Pant contributed the piece, “Run” and can be reached by email at mpant65@gmail.com  She can be found on Facebook at http://www.facebook.com/monika.pant3 and on twitter @mpant65

What is your piece about?

"'Run'","It is the story of a mother who is being carried into the ocean and into sudden death. The waves wash over her and more than striving to survive, she watches helplessly as her children are being pulled away by the relentless waves of the Tsunami and that of death. She remembers her life with her family and those little joys and sorrows which she will nevermore experience. She would give anything to save her children, but, alas, death does not barter one life for another.

Who are you?

I am a short story writer and poet living in India. My stories have been published in 'Chicken Soup for the Soul' series and my poems in various anthologies. I also have been writing English Grammar and Literature books being used in schools after I left teaching English to senior students in a reputed school for more than 15 years. I left a flourishing career to be able to write full-time and am now in the process of completing  three novels, one is a memoir based on my experiences as a cancer survivor, one is a historical based in the times of the Nawabs of Lucknow in the 18th century and another is the story of a woman who is attempts to unshackle herself in the contricting society in India.

Where have you been published?

My articles, stories and poems have been published online as well as in print. Story published in Platform Magazine, ‘Chicken Soup for the Indian Armed Forces Soul’, ‘A Second Helping of Chicken Soup for the Indian Soul’, ‘Teacher’s Soul’, ‘Father’s Soul’ and ‘Chicken Soup for the Indian Mothers’ Soul’. Forthcoming titles of ‘Chicken Soup for the Soul’ series will feature some as well.  

Recently written a series of English Grammar textbooks for classes I to VIII ‘Grammar Room’, which is being used in some schools from the session 2009-10.  Also written another grammar series for classes I to V, ‘Grammatica’ which is to be used from the next session.   Currently writing a series of literature readers and workbooks by Vision Publications, Lucknow.  Essay published in ‘Spirituality in School Education’, published by New Book Society of India.  I won the first prize in ‘Scribbles’ category in a writing competition conducted by Platform Magazine in the July- August 2008 issue.  Poems published in ‘A fancy Realm’ an anthology taken out by JKC College, Guntur in November, 2011.  Poems to be published in ‘Joy Interrupted’, an anthology of poems to be released in November, 2012 and ‘Indus Valley’ another anthology to be released on 7th April, 2012.

Who inspired your work and why did you contribute it to our anthology?

My mother.  I feel the need to connect with people who have loved and lost.

What other representations of motherhood have inspired you?

The Mother, The Good Earth both by Pearl S Buck and Nectar in a Sieve by Kamala Markandya. And of course, John Steinbeck's Grapes of Wrath. There are many more real life stories.so many characters living and breathing within me, plots thicken, tales in different lands and different moods brush against each other...how to disentangle and write a coherent story? Is it time for a saga, I wonder.


Anindita Chatterjee contributed “Anirvan: The Deathless One” and can be reached at bluehighways071@gmail.com

What is your piece about?

The short story ""Anirvan: The Deathless One"" revolves around the hope and despair of a young urban couple. The woman wakes up to the shocking realisation of her miscarriage in a hospital ward. She reflects on her life and the intensity of the catastrophe. The story begins with a personal tragedy but ends on a note of hope and promise. The catastrophe brings the couple closer.

Who are you?

I am an Assistant Professor teaching English Literature in a Government College in Kolkata, India. Having done my Doctorate on ""Poetry of Madness"". My favourite activities include reading writing, travelling and photography. Currently I am working on a novel about two women belonging to two different age groups finding hope and friendship in each other. I often write poems as well, many of them have been published.   I love teaching my students and seeing them bloom from buds into beautiful flowers.

What have you published?

My critical research papers have been published. My poems have been published in leading English dailies of Kolkata, India. Recently one of my poems entitled ""My Fancy"" was published in ""Oasis"", a literary journal of India. My jointly co-edited book on ""Critical Perspectives in Indo- Anglican Poetry"" is on the verge of publication from Anthem Press, New Delhi, India in April 2012.

I have published several non-fictional work. I was always interested in fictional work. The short story is based partly on personal experience and when I came across the fact that such an anthology was going to be published I felt an instinctive  urge to share.   Writing can be therapeutic at times and it is a form of communication which often soothes and tranquilizes the mind.

Why did you submit your piece to our anthology?

I submitted the story in August 2011 within the deadline. When I received the acceptance letter I was elated. I have sent my signed contract form as well.

What other representations of motherhood do you like?

“Difficult Daughters” by Manju Kapur is one of my favourite novels on motherhood. Poignantly written it recounts the journey of a young woman to her roots in search of her mother's past. Rituporno Ghosh's ""Unishe April"" is a wonderful movie on mother-daughter bonding.

What else would you like to share?

I shall be glad if my story touches your heart. It is not a simple piece of fiction, it is based on personal trauma and hence the words are marked with personal emotion and pain.   It has been my way of transcending the loss. Like the conclusion of the story, I too hope that the future shall bring new promise and hope for us.